That was fun! I never expected so many people would bring that much dresses, skirts, blouses and trousers to swap. And not only ladies, even the guys joined in. Thank you so much everybody, it was a great birthday party! Eelke took some shots, of which I will show a selection after the jump. The full collection can be viewed at Eelke’s flickr page here. Read the rest of this entry ?
Archive for May, 2011

tonight’s the night
May 25, 2011Today it’s exactly one year ago that I started with this blog. A good reason to celebrate, don’t you think? So tonight you are all invited to come celebrate with me at
Hoop Creatief Warenhuis, Grote Markt 10-13 in The Hague. From 7 to 10 pm, entrance is free but the drinks are not.
Bring friends and bring those dresses, tops, shirts, pants, cardigans, shawls and skirts that you bought but hardly wore (yes, I know you’ve got them too) and see if we can swap!

green outfit
May 11, 2011These are the last pictures of the shoot Eelke and I did last month. It’s fun to see how items come together when I wear them in an outfit. The inspiration to take my sewing machine out usually comes from one of three different starting points: sometimes it’s the fabric that makes me think of a dress or something else. Sometimes it’s a technique that I want to try out, like the blouse I’m working on right now and sometimes I just need a specific item. I rarely start making an item with a specific combination or outfit in mind, but somehow they often fit together. I guess it’s because I’ve got a very specific taste in the fabrics I like and the type of garments I want to wear.
O, and I’ve made a facebook event for the birthday celebration of this blog!

work in progress
May 5, 2011It’s almost a year since I’ve started the challenge to create my own wardrobe and written the very first post of The Dress I Made. I’ve learned a lot from sewing all these clothes, and without this self-induced incentive of writing a blog I would never have started on a wintercoat for example. With making my own skirts, dresses and trousers, I learned about quality too. About the luxury feel of a dress that fits perfectly and about the secret pleasure of a blouse with hidden french seams. Now that I’ve spent endless hours handstitching hems to attach them invisibly, I recognize (and value) real craftmanship even more.
One of the reasons to start this project was the feeling that something’s wrong in fashion industry: fast turn-over rates, horrible working conditions and a total lack of respect for our resources. Recently I’ve visited a textile recycling innovation centre, where they told me that 30% (!!) of all clothes and textile goods produced are destroyed without ever being worn or used. Apparently in food industry figures are even worse, but still this is an insanely high percentage of waste, isn’t it? When I started this challenge I thought that I would really miss shopping, but that’s not the case. My love for quality has grown, and combined with a loss of appetite for mass-produced goods I’ve now got and even more expensive taste than before. And less money.. But that’s a side note, I just wanted to explain why I totally admire the work of Monique van Heist, who has the guts to not design a whole new collection every season. And the work of the ladies from I-did slow fashion, who make a continuously evolving collection with the help of ladies from their neighbourhood.
The pictures show a top I’ve been working on for a few evenings in a row now. I’ve explained earlier how I’m fascinated by 3D structures and textures in textile, and this is another example. I hope the result will be just as pretty as the image in my head, and so far it looks promising.
PS To celebrate the 1-year anniversary I invite you all to a ‘swap the clothes that you’ve hardly worn’-party the 25th of May in Hoop Creatief warenhuis in The Hague, from 7 to 10 pm. More info will follow!

how to work with eyelets
May 3, 2011If you have looked at the yin yang bag tutorial, you might have noticed the big eyelets that I used to lead the holding strap through. These are the biggest you can still hammer in by hand, without using a real press. Since I’ve had a few questions concerning where to buy them and how to add them to your piece of work, I decided to write a short tutorial about them. Read the rest of this entry ?










